Robert Wimer

A rough charcoal drawing depicting a pregnant woman sitting on a hospital bed, her hand resting protectively on her belly. A man, presumably her husband, stands beside her, placing a comforting hand on her shoulder while praying. The scene is dimly lit, with soft shadows emphasizing the emotion on their faces. In the background, faint outlines of medical equipment and a doctor can be seen, though they are not the focus. The texture of the charcoal strokes creates a sense of depth and raw emotion, highlighting the spiritual intensity of the moment.

“Battling Witchcraft: A Mother’s Fight for Her Unborn Child”

The late afternoon sun cast a golden glow over the picnic tables as the youth group milled about, enjoying the warmth of an early summer day. Laughter mixed with the soft rustle of leaves, and the scent of grilled burgers floated in the air. For Lisa and John, it was […]Read more »

A detailed pencil sketch of a somber hospital room. At the center, a frail woman lies in a hospital bed, connected to an oxygen machine, her face showing a mix of anger and sorrow. Beside her, a teenage boy sits, holding her hand, with tears in his eyes. In the background, two men stand in quiet conversation, one older and one younger. The older man, calm and composed, appears to be a pastor, while the younger man looks more concerned. The room is softly lit, with deep shadows adding to the heavy atmosphere of tension and unresolved emotions.

“Bound By Bitterness”

The hospital hallway stretched out before them, cold, sterile, and seemingly endless. Every step Gabriel took echoed, bouncing off the polished floor and fading into the antiseptic air. His father, Pastor Samuel, walked beside him—quiet, steady, his face etched with the weariness of a man who had seen too much. […]Read more »

A dimly lit hospital room with flickering fluorescent lights is depicted in a pencil-sketch style. In the center, an elderly man lies in bed, his face frozen in terror, gripping the sheets tightly. Dark, shadowy figures loom at the foot of the bed, barely discernible but ominous. Several frightened family members stand to the side, watching in horror. The room is cramped, with medical carts and a partially drawn curtain hinting at another bed nearby. The sketch uses sharp lines and dramatic shading to enhance the eerie, supernatural atmosphere.

“The Final Hour”

I’ve seen death many times. You get used to it working in hospice. There’s a pattern to it, like the soft ticking of a clock. Time winding down, second by second, until—stop. It’s not usually a violent thing. Most people slip away quietly, surrounded by family, love, or at least […]Read more »

Harold Daggett’s Tactics in Light of Biblical Teachings on Conflict

Harold Daggett, the leader of the International Longshoremen’s Association (ILA), made a bold statement in a transcript where he outlined the potential consequences of a strike by his union. In his words, he described how such action could “cripple” industries across the United States, emphasizing the leverage that longshoremen have […]Read more »